10/01/2007

The Principle of Expectation and Desire

Once a friend ever wrote me this, he said:
Don't forget "The principle of expectation and desire" when you feel frustrated.
If the expectation is way bigger than desire, you will never be satisfied with the outcome.
If the desire is way bigger then expectaion, you will never enjoy yourself in the process.

I didn't really get what he meant back then.

Come to think of that, after several years, I realized that I did put myself into this dissatisfied-never feel contented circulation. Though he had pointed me about it, it wasn't very easy for me to understand the core. It's very tricky, you have to admit that.

Perhaps, I guess, if putting them on a scale. I might need a stronger desire, on a scale of 8 to even 10, so that the motivation is high enough to drive me to act; and to expect things on a smaller scale, build it up gradually to the degree which would fit the reality and the world. If I could manipulate these two well, then hopefully and eventually, I will be arriving at the place I wish to be. Sounds good, isn't it.

But, in my case, before expecting anything to happen, I might as well add the third force of power, belief. Only with belief could help me carry on my desire to put expection into visualized. That's what I truely need to learn the most.

Don't waste a good agony. I wish myself could step back to the right track soon.

8/26/2007

惡女花魁 Sakuran


集結了三位在各自領域皆有獨特風格表現的女性組合
蜷川實花, 椎名林檎, 土屋安娜, 果然對我的味
第一個抓住我注意力的, 就是它華麗服飾與色彩
與在劇中既具串場意義又營造特殊氛圍的金魚和魚缸
花魁遊街這一場戲氣勢十足最令我震撼
蜷川在全片用了強烈的視覺語言, 用力又搧情卻一針見血地
描述了這些藝妓花魁們 看似絢爛但又無奈的人生
與"令人討厭的松子的一生"一樣
我好喜歡片中紅黃藍綠分明的鮮豔色調
但我更喜歡土屋飾演的"清葉"這角色
比起松子太過於單純為了愛而被男人主宰的一生
清葉的強悍與自信為她自己爭取到了她想要的人生
即使過程中仍然吃了很多苦 至少最後是不後悔的
當然看完整部後 我還是忍不住小小聲低稱讚了男主角安藤政信一下
這麼久沒見 還是很可愛唷
(Winnie學姐說這部片應該以女主角為主, 男主角不是重點)
(這..我當然知道... XD)

官方網站:
http://www.sakuran-themovie.com/

蜷川實花:
http://ninamika.com/en/index.html

開張大吉

一直很低調的我
決定要為自己留下些記錄了
既然我閒來無事...
把所有阻塞在腦中的東西分享出來
或許會睡得安穩點
給自己加加油!